Motor City sees Ministry close ‘Squirrely’ chapter of storied career

Live Review - Detroit, MI

Al Jourgensen of Ministry. Photo by Chyrisse.

By Vlad T, Journalist, Detroit, and Chyrisse Tabone, Photographer, Tampa

Live Review: Ministry’s The Squirrely YearsTour w/Nitzer Ebb and Die Krupps – Cathedral Theatre at Masonic Temple, Detroit – May 10, 2025

Al Jourgensen of Ministry. Photo by Chyrisse.

Ministry has covered significant territory in its decades atop the alternative charts. Whether it was its time as a dark new wave hit machine in the early 80s or seminal industrial rock trailblazer in the late 80s, the group—principally, frontman Al Jourgensen—has aggressively pushed boundaries and punched the political and cultural status quo in the nose.

Al Jourgensen of Ministry. Photo by Chyrisse.

The early new wave period—from its days on the Wax Trax and Sire labels—seems to especially hold a fond place in the hearts of Gen X fans. In spite of Al’s long-standing disdain for this early material, Gen Xers like yours truly continue to listen and cling to this early material, still actively requested in clubs.

Now, with the band having signaled its end as an actively recording and touring act, Al has made an intriguing decision to both revisit and re-imagine this material for one last go with his fellow Gen Xers.
And so we see Ministry tour with this “Squirrley” take on its early legacy.
And how was it received?
Fans of Ministry – Detroit. Photo by Chyrisse.

The band’s Saturday night show at the Masonic Temple Cathedral Theatre in Detroit played to a packed house, with the punters in a variety of costumes spanning multiple eras.

From the moment Al and his touring party came out bedazzled in ironically glitzy show costumes, everyone knew they were in store for something different from what one might’ve seen in, say, the buzzsaw “Land of Rape and Honey” days.
But Al has more than earned the right to re-do this material in a way he sees fit. It’s his party—and he can shout if he wants to.
And nobody was disappointed.
Jürgen Engler,of Die Krupps. Photo by Chyrisse.

Ministry came to entertain, and, in times where the message and themes of tracks like “Halloween” and “Over the Shoulder” have come shockingly to life 40 years later, the rhythms and melodies of its early material—however “Squirrely” Al might have thought of it—provoked an immense, dare I say comforting, sense of nostalgia.

Adding to the nostalgia were two fellow compatriot bands of the same industrial rock era—Teutonic industrial meisters Die Krupps and 80s mainstays Nitzer Ebb, neither of whom disappointed the industrial faithful who were primed for a night of aggressive rhythms.
Bon Harris of Nitzer Ebb. Photo by Chyrisse.

Closing out the evening were two sterling covers—Fad Gadget’s industrial pop classic “Ricky’s Hand” and RevCo’s even-seedier industrial rock take on “Do Ya Think I’m Sexy?”

Al and his cohorts didn’t have to ‘work for love’ this evening—the love was already there with the fans.
A gratifying coda to a career.

PHOTO GALLERY

Chyrisse Tabone, Ph.D.
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